Module 2, chapter 9, image 54- 64

Image 54 until 64 are the exercises based on the fibonnacci sequence. These are paperstrips arranged in tonal and width order.

This is my pattern paper piece cut into fibonnacci series.I arranged them with a slight gap between each strip.

More strips cut in fibonnacci and than rearranged in a different way.

This is the exercise with one patterned and one plain paper cut up both into strips.I arranged the strips alternatively.

The previous design is cut up into the fibonnacci series.I arranged these strips again on a plain background living gaps between the strips.

This is the exercise: Flip the strips to make a new design.

This a new fibonnacci block with 5 strips in tonal order.

This is the above block cut up into equal strips and move them alternate.

These are the strips from block 7 to create a square design like log cabin.

This is one of the three starting block to cut up into diagonal strips. I have woven this strips and so I got this pattern.

This image and the next image show two designs of the golden section formular.

Module 2, chapter 8, image 53

Here is a sample with eleven different ribbons.
Number 1 (left upper corner) : The basic is a monoprint with black silk sari yearn with knotts sewed on my basic fabric.
Number 2: Here  are sewed together six or seven cotton strips and after sewing they are frayed with a hart brush to get this smoothy surfaces,
Nimber 3: This painted strip is covered with a white a gauze. This gauze is sewed down with zig-zag stitch. After sewing I have pulled out the threads from the longitudinal direction.
Number 4:  Between the two strips I have made folded black triangles and sewed them together.
Number 5: Shows the same technic as in number 4. The difference is that I have used two different light colour triangles.
Number 6: On this strip I have stitched a frayed cord.
Number 7: I stitched a derorative freehand pattern by machine.
Number 8: I stitched down four frayed selvages.
Number 9: I used my resist pattern fabric. Around this circle pattern I arranged white cotton threads and sewed them down.
Number 10: This is a bought fabric, covered with vanishing muslin, stitched and afterwards ironed and brushed.
Number 11: On this fabric I used a fantasy stitch.

Module 2, chapter 7, image 46, 47, 48, 49, 50, 51, 52

This is the first stage from piecing method. It shows a traditional log cabin and also an own discovered paper designs.

Second stage. Two samples in black and white fabric. I have used left overs from my black and white fabrics from a patchwork projekt long time ago.

These are two worksheets seminole method.

This is the beginning from one of my own seminole designs in fabric.

These are two samples from my fabric seminoles.



Module 2, chapter 6, image 40, 41, 42, 43a und b, 44, 45

My preparation for shibori.

My preparated fabrics in the colour bath.

These are the results. I am not very content with these.

A result from shibori resist method.

these are my tools.

This is the result.

Samples from my monoprinting on white fabric with black acrylic paint.

Module 2, chapter 5, image 35, 36, 37, 38, 39

Worksheet for monoprinting on paper.

A monoprint with finger onto glass.

A sample monoprinting.

A monoprint on black Dye na flow painted paper with white acryl onto glass.

Module 2, chapter 5, image 26, 27, 28, 29, 30, 31, 32, 33, 34

Animal pattern done with black brush pen.

The same technic was used in this stylized pattern.

The stripes are done with a card board, the space between the stripes is done with a sponge spotted and used black ink.

I have used black acryl paint. My tools are a round sponge and a palette knife.

Done with black and white acrylic paint used thin and thick bruches for this animal pattern.

I have made two different linol stemps. Done with black acryl paint

This image shows different patches from black flower paper. The pattern was done with thick bleach with finger, brush and pen.

Also a sample with bleach.

Samples from black fabric. They are covered of different ways with bleach..

 

 

These are my tools for chapter 5..

Module 2, image 25

You have asked me tested  stitching stitches. On lower right corner is a sample done by straight stitches with different thickness of yearns to get a tonal value from light to dark.