tag:blogger.com,1999:blog-59684502522197813862024-03-05T10:16:38.479-08:00rosensticheI have installed this blog for the online courses Distant Stitch by City and Guilds, certificate in embroidery My tutor is Sian Martin.sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.comBlogger106125tag:blogger.com,1999:blog-5968450252219781386.post-16666804944462716122014-11-16T04:10:00.002-08:002014-11-16T07:38:35.481-08:00<div class="separator" style="clear: both; text-align: center;">
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Picture 83, 84 85, 86, 87 and 88:<br />
The following 6 pictures are variations of my design of picture 80, 81and 82 composed by Photoshop Elements with different filters. I find all of them interesting. My favorite is the design of picture 88. <br />
I elongated sideways and lengthways of the original design to get the measures for my wall hanging.<br />
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Picture 88 is my wall hanging design.</div>
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Picture 89:</div>
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My manipulated fabric technics for my wall hanging. I used synthetic silk, stitched with pearl yarn in the bobbin in meandering and whip stitch. The layer underneath is crash fleece. On this picture can you see the difference before and after ironing. This is my translation from the brown paper strips.</div>
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Fabric B:</div>
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Picture 90:<br />
This is my translation of my blue paper strips. I have dyed cotton in blue and green (the second layer) the first is silver aluminium foil. I have created lakes with zig-zag stitch and cut the cotton parts out. The third layer consists of two layers of blue organza, bonded with painted Bonda- web. After free zig-zag stitching with Whip-stitch I have treated it with hot tool. <br />
Fabric A:<br />
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Picture 91:</div>
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My red dyed fabric for the red waves was printed with silver acrylic by silk screen technic.</div>
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Fabric C:</div>
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Picture 92:</div>
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I am sewing my white wavy parts for the sea foam. From this pattern I have made two different technics. One on water soluble fabric and the other was done on a sheer organza and after stitching melted away.</div>
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Fabric D and E:</div>
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Picture 93:</div>
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This picture shows the hand stitching yarns I have chosen.</div>
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Picture 94:<br />
This picture shows my stitch design for the wall hanging. Stitches and yarns I have used, which I selected:<br />
1. Madeira Lana as bobbin thread, zig-zag whip stitch.<br />
2. wool/ silk knitting yarn for the bigger knots.<br />
3. hand dyed silk thread for the little knots.<br />
4. green metallic thread for making an accent for the zig-zag machine stitch (hand stitched)<br />
5. big zig-zag stitch between fabric A and B, silk thread.<br />
6. metallic thread in seed stitch laying over the fabric B, which was stitched before with Pearl bobbin thread and after crunching. (7)<br />
8. silver metallic for herringbone stitch.<br />
9. rayon Madeira for making the sea foam.<br />
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Picture 95:</div>
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The presentation of the supporting work</div>
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The blue strips represent the blue clean water of our seas. The reflections are demonstrated by pieces of aluminium foils. The brown crunched strips symbolise polluted water. The red woven wavy strips are positioned between these two different facts (poluted and unpolluted water). The stitched zig-zag lines- as well machine and hand stitched- symbolise the conversation from whales and humans. The red wavy strips are so oriented, that you can visualise whales. The knots symbolise the water drops. The sea foam arises when water and air are mixed together. Protein polluted water produces also sea foam. The manipulated fabric for the strips are made separately and attached down to a backing fabric such as callico. These strips are secured on the background fabric with invisible, tiny stitches and the hand stitching part was done after this process thereby the fixation was increased. I have used for my hanging method a wooden stick with visable machine stitching loops. For the finishing edges I have chosen a simple turned hem.</div>
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Picture 96 and 97:</div>
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My wall hanging based on polluted and unpolluted water with conversation.</div>
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Chapter 12:</div>
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Study three artists:</div>
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Jean Maries:</div>
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She is a well respected textile artist. She has explored several methods to make from paper technics translations into fabrics and stitched works. About these technics she wrote a book. She also gives online workshops. The connection from her work to this module is the interpreting and manipulating of designs inspired from the nature to a personal art.</div>
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Barbara Lee Smith:</div>
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She is also a famous artist. Her personal feature is the use of one material, an industrial grade polyester non -woven fabric. She also wrote books about her technic. She is also inspired by nature. She works in a free manner, paints her material and manipulates it in several ways. Each finished piece attaches to a wooden frame, which is mounted behind her work to keep it away from the wall. </div>
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Maggie Grey</div>
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My third chosen artist is Maggie Grey, she is a highly experienced teacher. She published a lot of textile books. The connection to module six is, that she works with dissolving and washing away. melting and distorting fabrics. She works with machine and also with hand stitching in combination. As many artists she is inspired by nature. She is very famous for her innovative mixed media ideas and technics. In order to consider the copy right I can not present pictures from these three artists.</div>
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<strong>Evaluation of completed work:</strong></div>
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The embroidered piece for module 6 is an imaginary story of water, water pollution, conversation based on a paper design.</div>
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Do you feel satisfied with the result?</div>
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It was difficult for me to keep to my paper design and manipulated papers. I had to make the connection between my papers and fabrics visible. I felt a little bit restricted. I am quite satisfied with my result.</div>
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Is it fit for its purpose?</div>
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I think so, the transposition of my story is clear.</div>
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If you were asked to make it again......?</div>
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I would use one of my other designs because I do not want to make the same design twice.</div>
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Costing of the materials:</div>
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for papers, paints, glues, different fabrics, threads and yarns: about 40,00 Euro. The most of these materials are from my stash.</div>
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My work samples are between layers of tissue paper in a box.</div>
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Health and safety rules were observed. The most part of these works were done outside.</div>
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Timing:</div>
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I started with the download on the 15.07.2014 and completed this module on the 16.11.2014. In this time I did the design work and embroidery work. I needed for this 67 hours not included is the time for reading, research and uploading on my blog.</div>
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sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com1tag:blogger.com,1999:blog-5968450252219781386.post-13561531610461594992014-10-22T04:59:00.005-07:002014-10-23T01:10:59.903-07:00Chapter 9:<br />
Decorative papers:<br />
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My choice of the color scheme is blue, green, turkise, magenta and silver white. All the colors are in different ranges from light to dark tones. <br />
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Color symbolism:<br />
The color blue is the coolest and most calming of all the colors. It represents the water and the sky. In Christianity the color blue becomes the symbol of the Virgin Mary. I like a deep blue as it is a enjoyable color.<br />
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The color red/ magenta represents universal harmony and emotional balance. It is my second complementary color in my color scheme. In the meaning of colors, magenta represents universal love at its highest level. The color magenta is a color of cheerfulness, happiness, contentment and appreciation for what you have acquired and achieved.<br />
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The color white contains an equal balance of all the colors of the spectrum, representing both the positive and negative aspects of all colors.<br />
The color silver has a feminine energy, it is related to the moom and the ebb and flow of the tides. It is the color of illumination and reflection and modern hi-tech.<br />
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Picture 73:<br />
My used stemps for making the next papers.<br />
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Picture 74:<br />
A range of blue papers.<br />
1: the basic is made of water color and than stemped with acrylic dark blue and silver<br />
2: a sheet tracing paper was rubbed over cartridge with oil paint stick and than a wash blue of diluded acrylic paint<br />
3: acrylic paint was applied with a sponge and than I used a brayer with silver acrylic paint to make a pattern.<br />
4: rubbing with a candle by using my stemp and than blue wash with Brusho paint<br />
5: the same technic as No 4 only using Procion<br />
6: painted Bonda web was applied to a sheet of paper<br />
7: the first layer was painted with Procion and Brusho, stemped with bleach<br />
8: it was painted with Brusho, stemped with acrylic<br />
9: a light wash of water color paint and than was salt applied<br />
10: tissue paper was used. The linol stemp was rubbed by oil paint sticks. After drying a color wash was applied<br />
12: different blue Procion colors and a little bit red was painted and than I applied salt.<br />
13: two colors of Brusho were applied<br />
14: crumpled brown paper was put in a bath of blue Procion for a short time, after drying it was ironed.<br />
15: On a plastic bubble wrap was glued a layer of painted tissue paper.<br />
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Picture 75:<br />
-First row from left to right:<br />
Procion color with salt<br />
Brusho <br />
water color paint with salt<br />
the first layer was done by candle wax and than blue ink<br />
-Second row<br />
a thick layer of different green and blue colors was applied on a sheet of paper, a brayer was rolled over to get the bubbles<br />
different water colors were applied with a brush<br />
the first layer was done by drawing spirals with neo color 2. A layer of silver was layed over, at last I used a brayer for making the bubbles<br />
I made marks with a candle wax, sprayed water on my paper and than blue and light green Brusho was applied<br />
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Picture 76:<br />
I have made marks with masking paint and than I painted with brush after drying I removed the masking paint<br />
water paper was sprayed with magenta paints and than was applied a layer of salt<br />
making marks with candle wax and it than was painted by Procion<br />
the wavy lines were made by oil paint sticks and than painted with Brusho<br />
the first layer was water color paint and than stemped with a round sponge acrylic paints in red, blue and silver<br />
oil paint sticks were rubbed over cartridge paper<br />
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Picture 77, 78 and 79 are examples to my black and white papers. These are exercises for the developments of my designs. These are my warm-ups to get an idea of the harmony with the different forms.<br />
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Design into full color:<br />
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Picture 80:<br />
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Picture 81:<br />
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Picture 82:sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com1tag:blogger.com,1999:blog-5968450252219781386.post-78950902900178128052014-10-17T00:58:00.002-07:002014-10-17T00:58:14.956-07:00Chapter 8:<br />
Research for conservation theme:<br />
To find my story line for this module I switched back and forth in this chapter 8. I gathered ideas and things for the theme sea including the pollution and exploitation and the linkage of all these facts.<br />
For a better understanding of the following thoughts I mention that I was born in the Nederlands at the North Sea cost. When I was a child I collected many things after the retreating of the flood. The most categories of these shells and things can not be found any more because of the pollution and exploitation. <br />
Verbal information:<br />
<ul>
<li>excess</li>
<li>overwhelming</li>
<li>partnership</li>
<li>rhythmical- waves- walesongs</li>
</ul>
Warm up exercise:<br />
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Picture 70:<br />
Here are my collected ideas for finding my design. I have drawn a tailfin to demonstrate the similarity of this design to a ginkgo leaf. <br />
My blue plastic net demonstrates the plastic waste in our seas. <br />
The two round stones which I found in Wales obtained their form by abrasion on the way to the beach.<br />
I painted the beach by acrylic paint and I positioned shells, a plastic net, stones and driftwood on it.<br />
The two drawings in the middle of the picture are the starting point of my story line. A line can be straight or wavy which can be subdivided into different forms. Walsong is transformed in a graphical way. Wales communicate over thousands of miles by these songs. This kind of communication is a part of their social network. Waves are almost everywhere. <br />
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Picture 71 and 72:<br />
Design exercises; in black paper to the words in this chapter. I have ripped, cut, manipulated different kind of black paper to reflect the meaning of my words.<br />
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sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-71741329093220962312014-10-12T05:37:00.002-07:002014-10-12T05:37:39.284-07:00Chapter 7:<br />
Use of dissolvable "fabrics":<br />
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I have used different sorts of dissolvable fabrics. The shrinking process varies one by one "fabric".<br />
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Picture 62:<br />
8 small patches using different machine stitches. I have used your numbers from 1 to 14 for my little exercises.<br />
Exercise 1: 1-8-15<br />
Exercise 2: 2-4-5<br />
Exercise 3: 2-8-6-3<br />
Exercise 4: 2-3-6-15<br />
Exercise 5: 2-4-6-8<br />
Exercise 6: 2-3-7-12<br />
Exercise 7: 2-5-13<br />
Exercise 8: 2-3-7<br />
As you can see the results are very different- sometimes better, sometimes less.<br />
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Soluble lace samples based on sea and my drawings:<br />
Picture 63:<br />
I worked with different types of yearns also to create reflections (metallic yearn) in long zig-zag lines with straight stitches.<br />
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Picture 64:<br />
I used for this sample adhesive Wash-Away. I layed thick yearn on adhesive surface and I covered with a second layer dissolvable fabric. I sewed over this grid to get a connection with the yearns.<br />
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Picture 65:<br />
I used the same technic, but I used strips of organza and I connected these strips with sewing circles.<br />
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Picture 66:<br />
I created dots to illustrate bubbles of air in the water.<br />
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Picture 67:<br />
To get short and long wavy lines I used straight stitches and I put these together with a small zig-zag stitch.<br />
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Picture 68:<br />
For this sample I have used a twin needle and wipstitch. The swirles are not good recognizable, because I missed the cross points and after I have dissolve these pieces fell apart.<br />
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Picture 69:<br />
After this disappointing result I needed a success. I painted a paper and made a stemp in ammonite shape. This form has a long history and I find this shape very beautiful. I stemped on my paper and sewed on dissolvable fabric. I cut out the ammonite shape to create this paper.<br />
sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-13456010996713472582014-10-07T06:16:00.002-07:002014-10-07T06:16:59.726-07:00Chapter 6:<br />
Cutwork:<br />
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Picture 54:<br />
To be able to make cutwork I have to put several layers of fabrics on each other. Each layer is stitched to make texture. This picture shows the aluminium foil and than the blue dyed fabric was stitched in long elipse forms and wavy lines.<br />
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Picture 55:<br />
The third layer was made of two layers blue Organza, processed with hot tool and than it was placed on the prepared layer of picture 54, sewed together with whip stitch.<br />
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Picture 56:<br />
The first and the second layer can be seen on picture 53 . Picture 56 and 57 are a replication of this fabric, which is the second layer. The third layer is Organza.<br />
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Picture 57:<br />
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Picture 58:<br />
On the third layer I have sewed swirrels and cut partly away to get waves on the ocean.<br />
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Picture 59:<br />
Here is my dyed and sewed fabric. This is my first layer. <br />
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Picture 60:<br />
The second layer was sewed with an all over meandering. I left different parts free to cut the fabric away.<br />
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Picture 61:<br />
This exercise consists of two layers. The first layer was sewed in long zig-zag straight lines in different blues and shiny silver. The second layer is cheese cloth with zig-zag stitches sewed and than partly cut away.<br />
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sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-15681200332661102012014-09-23T05:16:00.000-07:002014-09-23T05:16:10.311-07:00Chapter 4:<br />
Coloring and bonding from fabrics and threads<br />
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Picture 45: <br />
My selection of threads in dye bath . For my fabrics and transfer adhaesives I have used Procion also Dye- na Flow and Javana silk paints. The results can be seen in the following pictures.<br />
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Picture 46:<br />
My threads. I shall use also threads bought from Anne Lange.<br />
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Picture 47:<br />
A selection of my dyed fabrics. I have dyed on wet and dry fabrics , I have also used salt crystals. On a wet fabric the color was easy to overlay to get more interesting movements.<br />
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Picture 48:<br />
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A selection of my silks.</div>
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Picture 49:<br />
A selection of my transfer adhaesives.<br />
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Chapter 5:<br />
Free machine stitchery to interpret drawings. <br />
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Picture 50:<br />
I have made 3 different types of stitchery based on my drawing. <br />
Left: a scrim, done with zig-zag stitch to get wavy lines. The threads were pulled together.<br />
Middle: zig-zag stitch free hand .<br />
Right: a double layer chiffon machine straight stitch with twin needles.<br />
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Picture 51:<br />
5 exercises related to my drawing.<br />
Left: callico, first I sewed with a thick yarn in wavy lines on my callico. In the gaps I sewed white bubbles.<br />
Middle: on painted Bonda web I have sewed wavy bubbles.<br />
Right: wavy lines and bubbles on scrim.<br />
Left under: meandering in wip stitch in two colors about each other.<br />
Right under: two layers chiffon with little pieces painted Bonda web between. Free hand stitching around the bubbles.<br />
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Picture 52:<br />
3 exercises related to my drawing and fotograph.<br />
Right upper: 2 layers of organza sewed in meandering and than melted partially away, but this effect can not bee seen on the foto.<br />
Left under: here are 3 layers: first layer callico, second layer a fine layer wool, third layer Kozo faser, these 3 layers were sewed together in straight stitches.<br />
Right under: scrim sewed with zig-zag stitch to get oval circles.<br />
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Picture 53:<br />
Right upper: Baby wip sewed in long zig-zag lines related to my drawing.<br />
Left under: painted callico even so stitched in long zig-zag lines.<br />
Middle: this is a house hold foil stitched even so in long zig-zag lines. From this foil I have bent over a little piece to demonstrate the material.<br />
Right under: a piece of jute sewed in zig-zag stitch in long zig-zag lines.sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-90273843589010224992014-09-16T05:41:00.003-07:002014-09-20T08:07:15.774-07:00Module 6:<br />
During downloading the module 6, I noticed, that the topic of this module is sea and sky. By fortune I have booked a one day journey to Venice in a few days. The content of this study trip was: "The fabrics as dreams are made on". We visited the very famous and old manufactories : Bevilaqua and Rubelli. These two are famous for their special kind of silk velvet ( soprarizzo velvet). So I took many fotos from water during the journey.<br />
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Picture 1,2 and 3 show water surfaces with reflections, ripples, froth and bubbles.<br />
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Picture 4: pollution and reflections<br />
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Picture 5: waterreflections. The pictures above are taken in Venice.</div>
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Picture 6,7 and 8 are pictures our famous "Weissensee". There are interesting colors, textures, reflections and movements.</div>
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Picture 9: weaving reeds by Bevilaqua</div>
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Picture 10: silk threads </div>
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Picture 11: a piece made in soprarizzo technic by Bevilaqua</div>
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Picture 12: pillows by Rubelli in soprarizzo<br />
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Picture 13: a fotosampler from water and reflections<br />
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Chapter 1<br />
Drawing methods:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdJ-qg1Nb0P-FOY8J1rgl3SN8Xti2GXFgZ0aHAqxNQKeydeM8Y5fefgPCQ2_88IN0vqUk3fJ04CNsZwqAEUE0szmDJuy9HJr0swlY-8EbxVBiN5SN5b6s_0RgjDMdE9SnDieGyT5BjWGU/s1600/IMG_1465.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdJ-qg1Nb0P-FOY8J1rgl3SN8Xti2GXFgZ0aHAqxNQKeydeM8Y5fefgPCQ2_88IN0vqUk3fJ04CNsZwqAEUE0szmDJuy9HJr0swlY-8EbxVBiN5SN5b6s_0RgjDMdE9SnDieGyT5BjWGU/s1600/IMG_1465.jpg" height="202" width="320" /></a></div>
Picture 14:<br />
1-14 (numbers on the foto):<br />
1: Prisma Color- broad and thin, 2: Stabilo, 3: Prisma Color-broad and thin, 4: Neo Color II, 5: Pastell Jaxell, 6: Derwent inkdense, 7: oil patells, 8: Derwent, 9: Edding 500, 10: gelly pen, 11: Prisma Color, 12: Neo Color, 13: pencil, 14: gel pen<br />
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Picture 15:<br />
1-5 (numbers on the foto)<br />
1: different pencils of Neo Color 2: with Prisma-broad, 2: melted wax- procion, correcture pen and permanent pencil, 3: procion- Prisma broad, gelly pen,- felt pen, 4: stemped with Distress ink, Prisma Color- broad and correcture pen, 5: water soluble oil pastel with a little bit water, Prisma Color- correcture pen.<br />
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Picture 16: sgrafitto<br />
First row from left to right:<br />
First layer: oil pastels, green and the second layer oil pen stick and than scratched. <br />
Drops of candle wax and than a thick layer of Neo Color and scratched in this piece.<br />
The first layer in oil pastel gray the next layer is blue oil pastel and scretched away the gray can not be seen.<br />
Two layers of hot wax the third layer was done with Neo Color than scratched.<br />
Two layers of Neo Color by changing the layers.<br />
Second row from left to right.<br />
Hot wax two layers of oil pastels.<br />
The first layer green oil pastel the second was wax Crayon and than scratched.<br />
Oil paint stick iridescant light blue second layer oil paint stick charcoal blue scratched in feather.<br />
Thin layer oil paint stick and two layers thick oil pastels, scathed in swirl.<br />
Light blue wax Crayon and a dark blue layer scratched in wavy lines<br />
The results are very different. To scrap away you need a heavy layer of crayon, but the color layers are not always to see.<br />
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Drawing with frottage:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZVA3Vd85ZGtipwRw6y1GtbjgMSwz9tY2nCcaPj5VUUL4X9CTrcnHOXoS-SXaOsq9n8_ej9-yBIOvq9woFf0HK96fC-HR1RCPIxiIRDxoGqbAwDFu3WI-NaO1Tk2NuElPucN-GnH5YM0c/s1600/IMG_1471.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZVA3Vd85ZGtipwRw6y1GtbjgMSwz9tY2nCcaPj5VUUL4X9CTrcnHOXoS-SXaOsq9n8_ej9-yBIOvq9woFf0HK96fC-HR1RCPIxiIRDxoGqbAwDFu3WI-NaO1Tk2NuElPucN-GnH5YM0c/s1600/IMG_1471.jpg" height="162" width="320" /></a></div>
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Picture 17:<br />
Left side: frottage on a rubber mat with light blue crayons, straight lines, than wavy lines across the first layer with dark blue made on the side of the crayon.<br />
The next one is made on mesh wire in scribble with Neo Color light blue, sky blue and yellow green.<br />
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Picture 18:</div>
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Frottage with oil paint sticks in blue.</div>
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Frottage with different colors of oil paint sticks in different directions by turning the rubber plate.</div>
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Frottage in two diagonal directions with Neo Color.</div>
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Picture 19:</div>
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Wooden block with paper fastener for rubbing in short lines, long lines and spiralling in blue.</div>
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Wire mesh as rubbing by turning in all directions with wax crayons. </div>
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Resist methods with crayons, ink, discharge and bleach:</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicLPYP2BqiQFOuUEp-dh5uUMC9gAFqC9JgD4gc2wt6CCMztYiARiVGpLZhI8_eBQVJNSpvG7p09mAkS1HsQbZoVAsjYb5Oe3GWH0xgKZ6ljB6Cb2aAuIIcfRsfmF4-bQeKtrh1Pzk-F6Q/s1600/IMG_1467.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicLPYP2BqiQFOuUEp-dh5uUMC9gAFqC9JgD4gc2wt6CCMztYiARiVGpLZhI8_eBQVJNSpvG7p09mAkS1HsQbZoVAsjYb5Oe3GWH0xgKZ6ljB6Cb2aAuIIcfRsfmF4-bQeKtrh1Pzk-F6Q/s1600/IMG_1467.jpg" height="320" width="219" /></a></div>
Picture 20:<br />
Straight lines made by drawing with wax crayons with different colors to make a resist and than a wash with deluded ink.<br />
Oil paint sticks and also a wash with ink.<br />
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Picture 21:<br />
Resist with oil pastels and a wash with water color light blue.<br />
Resist with wax crayons a light wash with water color paints, this process was done two times.<br />
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Picture 22:</div>
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Resist with candle wax and a wash with water color paints (two times).</div>
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Resist with candle wax and a wash with water color paints.</div>
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In my opinion these two results are the best.</div>
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Picture 23:<br />
From left to right:<br />
Painted with ink and than sprayed with bleach.<br />
First Dilusion Spray and than aply bleach with brush and Pipette.<br />
First Procion and than track lines with my selfmade wooden stick.<br />
Wavy lines again with a brush.<br />
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Picture 24:<br />
In these two samples the Basic layer is done by ink and than stemped with bleach. One stamp is self made linol cut, the other is bought.<br />
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Transparent surfaces:<br />
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Picture 25:<br />
Melted oil sticks on tracing paper, folded, after cool down the tracing paper was opened.<br />
Two layers of plastic sheets with pieces of oil paint sticks and than ironed.<br />
Plastic sheet painted with acrylic and than scratched into the paint.<br />
Tracing paper applied with two colors of acrylic paint in two directions.<br />
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Picture 26:<br />
Cellophane sheet covered with drops of melted wax and sprayed with black ink.<br />
Cellophane ironed between two sheets parchment paper and than colored with different blue oil paint sticks.<br />
The following sample is the same only made with one color.<br />
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Picture 27:<br />
above:<br />
A sheet of cellophane ironed on a big wooden stemp and than painted with oil paint sticks.<br />
left under:<br />
Bubble wrap was distorted for releasing the air, than painted with oil paint sticks, than covered with a sheet of transparent (bottom right) paper and than these two pieces were ironed.<br />
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Chapter 2:<br />
Designing with shapes and layers<br />
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Picture 28:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm8qkSKZfMSlBeq9hpHmLjKFrwtR2YYYnHQ4Q2Nv_4oy1W9EYAPCvCoLyCcDnvvIdFlene_WRw38Oo7wzB42OhumbWJKvmXVKyahWpXMKepPJL6rQ1vjl4cjYtdCkcLXVgodL3SMDjCnc/s1600/IMG_1591.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm8qkSKZfMSlBeq9hpHmLjKFrwtR2YYYnHQ4Q2Nv_4oy1W9EYAPCvCoLyCcDnvvIdFlene_WRw38Oo7wzB42OhumbWJKvmXVKyahWpXMKepPJL6rQ1vjl4cjYtdCkcLXVgodL3SMDjCnc/s1600/IMG_1591.jpg" height="232" width="320" /></a></div>
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A few samples more from decorated papers in my colorscheme of my fotographs. More methods blue watercolor paint covered with salt and household foil with sponge. Papers with bleach, rubbing, resist and acryl were done in chapter 1.<br />
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Picture 29:<br />
The foto shows the reflections of pollutions in the water. I have made a simple drawing.<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg165a2IsnOQByyFegCLm1ZuSc6OBqC1UdGQp6nhRao0Hkd-FN2-lUuGbggTY4jp0TjxQkXUnD5T99hoLFRDzKEtfLPbzXvYzzsGTTS697CEZFD3vcEdHAu-tvFE7aBVgmMdawC2OTTPY/s1600/IMG_1517.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><br />
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Picture 30:<br />
I have cut two different papers ( left site) in wavy lines. Right you can see a piece of plastic. I made this by doing cut out pieces of plastic Shopping bags. These pieces were melted by ironing for glueing them together to demonstrate the water Pollution.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO5k5vYrSR87GCu_f-MsKR_X2rnbmXMjtk4WY-gDz7P4ATe8tk0HpCm6GXYhTDqvdjjvVgj0F3Dvacoc7rlsCghMA7TS4Y7zGq_A2-y0ORBeWSp0lgxfJrgx3MZ3oDNvH3ELoJrWoxUdg/s1600/IMG_1518.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO5k5vYrSR87GCu_f-MsKR_X2rnbmXMjtk4WY-gDz7P4ATe8tk0HpCm6GXYhTDqvdjjvVgj0F3Dvacoc7rlsCghMA7TS4Y7zGq_A2-y0ORBeWSp0lgxfJrgx3MZ3oDNvH3ELoJrWoxUdg/s1600/IMG_1518.jpg" height="207" width="320" /></a></div>
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Picture 31: <br />
This Piece of plastic is cut in wavy lines to glue them on paper to see in Picture 30.<br />
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Picture 32:<br />
Papershapes identivy to my drawing and Pictures.<br />
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Picture 33.<br />
To These two pictures my drawings for later on in this module.<br />
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Picture 34:<br />
Another example of drawings of my fotographs.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglxADloutW9S7fJuZv5UxCtsWAN4Ff9xX5qro65AvUoAjw96UkIL1zLOwBhU0fZeUh4eWfJEx-Q-7iwqwwwJ2ENjO7v2LXYEHQsWhkjTDYCK_bCs0Ce1bUloNaNuG7rSAejzGqztHxusw/s1600/IMG_1507.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglxADloutW9S7fJuZv5UxCtsWAN4Ff9xX5qro65AvUoAjw96UkIL1zLOwBhU0fZeUh4eWfJEx-Q-7iwqwwwJ2ENjO7v2LXYEHQsWhkjTDYCK_bCs0Ce1bUloNaNuG7rSAejzGqztHxusw/s1600/IMG_1507.jpg" height="246" width="320" /></a></div>
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Picture 35:<br />
A simple drawing for the next paperdesign.<br />
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Picture 36:<br />
The first cut shapes with my papers.<br />
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Picture 37:<br />
The paper of picture 36 was cut up again and recomposed new.<br />
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Picture 38:<br />
One more drawing.<br />
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Picture 39:<br />
Drawing and paper example, done by this fancy scissor.<br />
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Chapter 3:<br />
Free machine stitchery:<br />
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Picture 40:<br />
This sample is made on my painted callico<br />
From left to right and top down, all little squares are done by the same cotton sewing yarn, I performed different effects of rhythm such as flowing, crossing, calm and overlapping:<br />
circles, waves, combining of waves, zig-zag and circles, layers of straight stitch, overlapping little circles, overlapping larger circles, meandering, not closed circles, half circles, overlapping only in the middle, loosely straight lines, loosely wavy lines.<br />
The folling eight samples are done by zig-zag stitches: loosely wavy line, loosely straight lines, compact zig-zag rows, rows of big zig-zag overlapping, circle lines, cross over, curves, compact rows of zig-zag stitches and than a second layer of big zig-zags.<br />
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Picture 41:<br />
A sample with whip stitch, loose bottom and tighter top tension.<br />
The first eight samples are done by straight stitch.<br />
The following eight patches are done by zig-zag stitch.<br />
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Picture 42:<br />
Is a sample with different types of yarns with upside down. I have used cotton thread, silk, lana Madeira, Madeira decore and Sulky metallic.<br />
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Picture 43:<br />
This is the backside from my sample above. I find both sides interesting.<br />
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Picture 44:<br />
A sample with automatic pattern done by free machine stitching.<br />
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<br />sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-5029656231532165962014-06-26T08:49:00.001-07:002014-06-29T07:27:54.040-07:00Chapter 9:<br />
Threads and stitchery:<br />
Picture 38:<br />
A selection of embroidery yarns for the next exercises.<br />
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Picture 39:</div>
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A sampler with stitches from different categories: </div>
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flat stitches: straight, stem, radial, satin in repeated groups, satin different length, twisted satin, thorn, dot or seed in single, double, seed in angles, arrowhead, cross stitch in upright, cross stitch with an upright cross stitch over it, chevron.</div>
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looped stitch: button hole with variations in length and distance between the stitches, spaced button hole, knotted button hole, fly stitch, fly stitch crown stitch, loop or centipede stitch, Vandyke stitch, scroll stitch, cretan stitch, cretan stitch one by one alternately by turns, feather stitch: straight, closed, slanted and slanted in variations.</div>
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Picture 40:</div>
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chained stitches: detached, zigzag, basque, open chain, twisted, wheat ear, raised chain.</div>
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knotted stitches: french knot, rotating, bollion knot, long stemmed bullion knot, coral knot, squared palestrina.</div>
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composite stitches: laced cretan, whipped chain, interlaced fly stitch, guilloche stitch, raised stem spider web, two parallel rows pikinese stitches.</div>
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Picture 41:</div>
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Stitch effects:</div>
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A sampler of formal stitching rhythm:</div>
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from left to right:</div>
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linear pattern</div>
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separate marks</div>
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forming groups with different yarns and gaps</div>
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dove tail</div>
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variations of size from large to tiny</div>
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build up layers of blocks</div>
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linear patterns with gaps</div>
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couching</div>
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cross stitch wrapped</div>
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Picture 42:<br />
Informal effects with a stitch:<br />
I have chosen for a straight stitch. To get a rhythm I used a stiff zigzag with a thin and a thicker thread and ad least I created boundaries for more effect. <br />
Loosely stitched curves with different crosses left and right.<br />
Long straight stitches wrapped in single loops.<br />
Straight stitches in circular pattern.<br />
Long crossed straight stitches, the crosspoints are detatched.<br />
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Picture 43:<br />
Rubbings from my paper reliefs made earlier in this module. I used black and white tissue paper with oil pastel, chalk, pan pastels, Shiva paint stitch, ink and bleach. In the following examples you can see more ideas about my rubbings.<br />
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Chapter 10:<br />
Stitch to translate my rubbings:<br />
Picture 44:<br />
Two rubbings:<br />
One with oil pastel and the other was made of candle wax and than I made a wash with grey water color paints. On the black cotton background I have made rubbing marks with oil paint sticks. In this exercise I have two patches with these background marks. The other patches have no marks. I used these two technics to show the different types of contrasts ( hard and soft). The stitchery is a thick twisted chain stitch. Afterwards I did overlapping with fly stitch in different sizes and yarns.<br />
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Picture 45:<br />
Rubbing with chalk,<br />
The stitch translation was done by using cretan stitch with small organza strips and different yarns.<br />
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Picture 46:<br />
Stitched translation of rubbing of gathered tissue paper relief, big sorbello stitch to get a chunky bold effect.<br />
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Picture 47:<br />
2 translations of my rubbings. The black cotton fabric is also rubbed with oil paint sticks. The stitch translation left shows raised chain bands with thick yarn. On the right site are long straight organza strips overlapped with chain stitch worked in circles using two different yarns. Several circles have two layers of chain stitches.<br />
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Chapter 11:<br />
Use of texture- A<br />
Picture 48:<br />
The following 3 pictures are my decorated papers. I have used ink, paint, stamped with acryl , bleach. Herefore I have made the stamps and linol cuts and rubbings. The picture bellow shows a flat texture paper. <br />
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Picture 50:<br />
This pictures show a selection of raised texture paper.<br />
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Chapter 11 B: <br />
Use of shape :<br />
Picture 51, 52 and 53:<br />
In the first step I have taken fotos of the beginning of this chapter. I made different line drawings from these pictures. <br />
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In the second step I used my simplified drawings. I ripped my earlier produced papers along the lines of my subdivisions and clued them.<br />
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Picture 54, 55, 56, and 57:<br />
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Picture 58:</div>
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Abstract shapes:</div>
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Two samples of my abstract shapes.</div>
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Chapter 12:</div>
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Stitch trial samplers by using extreme contrasts:</div>
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Picture 59 and 60 show my trial samplers translated from my decorated papers.</div>
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From left to right: destorted scrim overstitched, a thin layer stretched trikot, snipped yarns, covered with a white chiffon, free hand stitched, shrinkage was caused by stretching before stitching, knotted strips of felt, hand stitched.</div>
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Picture 60:<br />
Three more trial patches:<br />
Left: on black felt I layed down three little white felt strips. Then I have done needle felting to get a soften edge, free hand stitching by machine. overstitched with thin strips of organza.<br />
Upper right: a padded piece of felt. Using different yarns in knot stitch and seed stitch.<br />
Right under: painted bonda web on black felt, stitched with button hole stitch.<br />
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Picture 61: Design board- resolved sampler<br />
I am approaching to my resolved sampler. The landscape in my neighborhood with mountains, hills and valleys has an effect on my design in this chapter and on my resolve sampler. There exist extreme contrasts. <br />
On the left side of the picture my paper design with flat and raised areas <br />
In the middle a description of my ideas for the translation in stitchery<br />
On the right side the selection of yarns<br />
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Picture 62:</div>
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left: paper design</div>
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right: the stitching result</div>
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The next picture shows the result of this module</div>
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Chapter 13:</div>
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Study three artists:</div>
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Jennie Rayment and Michael Breenand-Wood are two artits, who work with many different kinds of manipulated surfaces but they have a very different character in their design and execution. Both are well known.</div>
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My choice for the third artists are Jan Beany and Jean Littlejohn. These two artists work extremely with studying the nature and landscape. They make beautiful sketch books, especially during their journeys. At home these drawings are the source for their works. They manipulated fabrics in different ways; per example dry felting water soluble fabric, painted bonda web. They have discovered the basic embroidery stitches in many possibilities. They experience in different kind of ways with yarns and fabrics. They are well known all over the world. A workshop with both of them is an absolute highlight.</div>
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Evaluation of completed work:</div>
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The completed embroidered assessment piece for Module 5 is an imaginary landscape based on the design of paper manipulations.</div>
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I am satisfied with my result</div>
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Especially with the trial patches, it was funny</div>
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Changes design: In the beginning I had no idea which way I shall go, because I have just started. In progression of the work I get more and more ideas about the special design in this module. Through the hole chapter there are points where you have to decide which way you want to go.</div>
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If I had to do it again I would decide for another direction, because I don not want to make it twice.</div>
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Costing Materials:</div>
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nearly all material is from my stock</div>
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Astimation: about 20 Euro</div>
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Timing:</div>
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I started on the 12.02.2014 and comleted my work on the first june 2014. The hours of work are 62 hours not included is the time which I needed for fotography, posting the blog, organisation work</div>
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(storage of my work and materials, tools and equipment)</div>
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Health and safety rules:</div>
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I took care of the safety rules, especially by blaech burning and melting the fabrics.</div>
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Authenticate my Work:</div>
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Student Name: Saskia Hetzel</div>
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Date: 29.06. 2014</div>
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Module 5</div>
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The coursework that Saskia Hetzel</div>
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is submitting for this Module is her own work</div>
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Dr. Heinz Hetzel, formular is added</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilmyECLzqJSrH8fQDAdaoYl5JgKjvcPqttZLLMw41upCb03zd4BolAkyWMG0UDSUqBD_5Xq8FwKiCB6L9wpGEzpORSHumO-7-vHJj4EGqs13t2HYz9VYBNfTX1ch8kQdD4qf2tNFOWruA/s1600/IMG_1382.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilmyECLzqJSrH8fQDAdaoYl5JgKjvcPqttZLLMw41upCb03zd4BolAkyWMG0UDSUqBD_5Xq8FwKiCB6L9wpGEzpORSHumO-7-vHJj4EGqs13t2HYz9VYBNfTX1ch8kQdD4qf2tNFOWruA/s1600/IMG_1382.JPG" height="320" width="240" /></a></div>
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sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-32760854207225178272014-06-25T04:18:00.000-07:002014-06-25T04:18:13.976-07:00Chapter 8: <br />
Paper relief into fabric relief<br />
The next 5 pictures show my translation from paper relief into fabric manipulations.<br />
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Picture 33, 34, 35, 36, 37<br />
I have used several technics from soft wadded quilting, tucks, small shapes of melted edges with different fabrics, knotted calico strips, stitched to a background, gathered tucks. Every piece is at last stitched by hand. I tried to get different hight on the surfaces.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhro692rdE1C9Xxnhq7d2t6Oc3qkL2c2WrjFjAzPLeWmYbwSZEriv5Jd6OfiWCzrHS-pFQNBHkGYfTqjdjPn64jeH7Lt6n9_cwTZaSk1oj1mg3yLLrCqk2fzuAsqjiVW-b9DAKi1AdJdvA/s1600/IMG_1318.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhro692rdE1C9Xxnhq7d2t6Oc3qkL2c2WrjFjAzPLeWmYbwSZEriv5Jd6OfiWCzrHS-pFQNBHkGYfTqjdjPn64jeH7Lt6n9_cwTZaSk1oj1mg3yLLrCqk2fzuAsqjiVW-b9DAKi1AdJdvA/s1600/IMG_1318.jpg" height="320" width="311" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3uTqwsfsVXbw0c8V3umUmJxiI8cHDkD5OKviAfnxquvOGVQuFntJjvwknL78iejeLh77-jLj7_uWhyrdevUraaRu-0Ia_XSWTGI3JYwU5Ekn8hkJ-1eJ8cbmBF5Lq3t2s2Co0igPsDOQ/s1600/IMG_1319.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3uTqwsfsVXbw0c8V3umUmJxiI8cHDkD5OKviAfnxquvOGVQuFntJjvwknL78iejeLh77-jLj7_uWhyrdevUraaRu-0Ia_XSWTGI3JYwU5Ekn8hkJ-1eJ8cbmBF5Lq3t2s2Co0igPsDOQ/s1600/IMG_1319.jpg" height="155" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinh4w7_neh607xgYgu8dK8bgVRI9xjdUN80plE7CW7zw0k_BZp_x6izJ1FyPCLdpNGaK1bCf7g3Sri209nNYkZP55hTkhx_P8K0Bm3EpIG8QTST1WR9lrYEnBzpEhF2Pd0CHSw5fnieJg/s1600/IMG_1320.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinh4w7_neh607xgYgu8dK8bgVRI9xjdUN80plE7CW7zw0k_BZp_x6izJ1FyPCLdpNGaK1bCf7g3Sri209nNYkZP55hTkhx_P8K0Bm3EpIG8QTST1WR9lrYEnBzpEhF2Pd0CHSw5fnieJg/s1600/IMG_1320.jpg" height="200" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBxQ3avJbyQFGYB3r-As4FMcyUnPdjiP9nFy2ShU_oKnmvLX90-aXjUvUDKPFNuwqwXaKqvWXOGt3t85Akkq6aRjboYLlwYTHvuzDWm-wnt9kw5Zg8m6H1FeF0hlfFB-te56jJHBeKyeY/s1600/IMG_1321.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBxQ3avJbyQFGYB3r-As4FMcyUnPdjiP9nFy2ShU_oKnmvLX90-aXjUvUDKPFNuwqwXaKqvWXOGt3t85Akkq6aRjboYLlwYTHvuzDWm-wnt9kw5Zg8m6H1FeF0hlfFB-te56jJHBeKyeY/s1600/IMG_1321.jpg" height="247" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkLPRteN49tLavZkjJe7vION7rMkMVNpqHRyedyST1haulD_6khOtI6sqEOwoysat8hfWoAkgh5GKDaLefT3HUJ4mGTmS18EReCdv9d8ubBo3uIEIzxLgJdnfe8RoLR3UR1ZxBXtto-Uc/s1600/IMG_1295.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkLPRteN49tLavZkjJe7vION7rMkMVNpqHRyedyST1haulD_6khOtI6sqEOwoysat8hfWoAkgh5GKDaLefT3HUJ4mGTmS18EReCdv9d8ubBo3uIEIzxLgJdnfe8RoLR3UR1ZxBXtto-Uc/s1600/IMG_1295.jpg" height="320" width="238" /></a></div>
sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-23773230796886725952014-03-23T08:24:00.000-07:002014-03-23T08:24:20.347-07:00Chapter 5:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcxKb8pDSrJ922_xTU_57WVmuw1ITEzPrArPWCBsTIe1kpIwF091UVdiCF5YpUudszlwC7kY7kC9ln13caP7vf4zFYoubP7WywSYEEcCfFuMakmYS96IVueJ47Hj4RRo3GezXzgk5myA8/s1600/IMG_1269.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcxKb8pDSrJ922_xTU_57WVmuw1ITEzPrArPWCBsTIe1kpIwF091UVdiCF5YpUudszlwC7kY7kC9ln13caP7vf4zFYoubP7WywSYEEcCfFuMakmYS96IVueJ47Hj4RRo3GezXzgk5myA8/s1600/IMG_1269.jpg" height="320" width="227" /></a></div>
Picture 19:<br />
This picture shows fabric manipulations with different stitches to hold the fabric. I have used three different stitches: fly stitch, double cross and sorbello stitch. The fabrics are velvet, satin, cotton, thin silk, linen, thick silk and organza.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic9_905YDlkqbYz02t0nZOoNGvK63827Nu7z9bLcp0wCv3eYUgw5WRj71MtudoZK8Ty-7AdUaO908BgEQltXQxZOWvCNacsCiMtBO_DaBpqYT532Yc99ggym6YiJMDssdIPcO5lyGeZXw/s1600/IMG_1271.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic9_905YDlkqbYz02t0nZOoNGvK63827Nu7z9bLcp0wCv3eYUgw5WRj71MtudoZK8Ty-7AdUaO908BgEQltXQxZOWvCNacsCiMtBO_DaBpqYT532Yc99ggym6YiJMDssdIPcO5lyGeZXw/s1600/IMG_1271.jpg" height="320" width="228" /></a></div>
Picture: 20<br />
Wadded quilting: (2 samples)<br />
This piece is quilted by machine. The three layers are: synthetic cotton, a thin layer fleece and a synthetic cotton.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhbm7XDtcIQhSHVzsMri8FwusQ0Sf4TPiRO2jucWAY7cA_Pu-5B00OZ-ojLLydk2hZja0WFOLJyR5pRGoPK15XN0pHmkzPfn1QPqXaTkEubpTToeQlO9svvMSHT9LudY2w65Mav50VwuI/s1600/IMG_1272.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhbm7XDtcIQhSHVzsMri8FwusQ0Sf4TPiRO2jucWAY7cA_Pu-5B00OZ-ojLLydk2hZja0WFOLJyR5pRGoPK15XN0pHmkzPfn1QPqXaTkEubpTToeQlO9svvMSHT9LudY2w65Mav50VwuI/s1600/IMG_1272.jpg" height="176" width="320" /></a></div>
Picture 21: <br />
This is a sampler with different machine quilted patterns. The three layers are silk, polyester wadding and a stiff linen.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTiOYaFw5wS4-uYC_MPFrPHv0vMMSd2F0mD1LuEag_XSBfbCsr7iA_RkTITmzmVSXfGFtKcvrl5R2ApCGBuTkDg2IkCeNO5UObdzZaBHxCejglZ14IBMjalOzUS9OCoFsNK1i1j6rYb4g/s1600/IMG_1274.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTiOYaFw5wS4-uYC_MPFrPHv0vMMSd2F0mD1LuEag_XSBfbCsr7iA_RkTITmzmVSXfGFtKcvrl5R2ApCGBuTkDg2IkCeNO5UObdzZaBHxCejglZ14IBMjalOzUS9OCoFsNK1i1j6rYb4g/s1600/IMG_1274.jpg" height="167" width="320" /></a></div>
Pictures 22:<br />
Shaped quilting:<br />
I have used a shiny synthetic fabric for this sampler. The paddings are rings, cherry stones and matches. Quilting and stitching was done by hand.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyNpsyYZnl7FO28pJt6OhJ0qHPCCfo2V6E4TiDAFhEE8_g9Wgn91ctPtGLoPNDVhy0a4M8gbzJ-595VGO-QH4eLfNaFlKq5gm7HCd4fPLNhj_ucY8t9zHQ7tsDo0fDz9-SekNiw7RmoEQ/s1600/IMG_1273.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyNpsyYZnl7FO28pJt6OhJ0qHPCCfo2V6E4TiDAFhEE8_g9Wgn91ctPtGLoPNDVhy0a4M8gbzJ-595VGO-QH4eLfNaFlKq5gm7HCd4fPLNhj_ucY8t9zHQ7tsDo0fDz9-SekNiw7RmoEQ/s1600/IMG_1273.jpg" height="155" width="320" /></a></div>
Picture 23:<br />
Padded quilting: The snake was stitched by hand to create a channel. The channel was filled by a thick cotton yarn. The space between the curves was filled with stippling quilting by hand. The other paddeds a filled with polyester. The upper side was than quilted by machine in meandering pattern. The lower part was done by hand in seed stitch.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9bkOWSFFHMb6r812_uXx-xTZurTCljlfrujvLLFg-KrNFXOImViHA8PkPjD1APFbT-MKQEVdOAYJjHZcDmUNDjLCs6wOlqB2zxaV-xUexSxXk64pzrk4q_03Yj_B_PDjAc-0bWQ0VqTU/s1600/IMG_1268.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9bkOWSFFHMb6r812_uXx-xTZurTCljlfrujvLLFg-KrNFXOImViHA8PkPjD1APFbT-MKQEVdOAYJjHZcDmUNDjLCs6wOlqB2zxaV-xUexSxXk64pzrk4q_03Yj_B_PDjAc-0bWQ0VqTU/s1600/IMG_1268.jpg" height="242" width="320" /></a></div>
Picture 24:<br />
Corded quilting:<br />
This corded quilting was made on a shiny synthetic fabric with twin needle and a woolen thread. <br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrYXjoSa19y0I9VvCH32sfjftv3NSxHXJh0sqR7oP0m_cWhsHIghUMFmZz8J_WWICoSTnTo2MHmQ_Y7SawK7qINmvFoLS2nhfEFbZZDm1xBwE1l9kczM4LiaHhlu-y-EjlrXt13kVhPLA/s1600/IMG_1275.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrYXjoSa19y0I9VvCH32sfjftv3NSxHXJh0sqR7oP0m_cWhsHIghUMFmZz8J_WWICoSTnTo2MHmQ_Y7SawK7qINmvFoLS2nhfEFbZZDm1xBwE1l9kczM4LiaHhlu-y-EjlrXt13kVhPLA/s1600/IMG_1275.jpg" height="320" width="223" /></a></div>
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Picture 25:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL5Hw5C4IGpKd5nrxuC898OME6a1fkkpob7wOl_053t9rx551kyf7E5p5ghz88uSY4M3flnFIroRxHS3ManUileJpbopB4gMd9v7OZsrAHlf9_Z59ubOZJTkVNay5VwwBmsixXyfrdinc/s1600/IMG_1276.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL5Hw5C4IGpKd5nrxuC898OME6a1fkkpob7wOl_053t9rx551kyf7E5p5ghz88uSY4M3flnFIroRxHS3ManUileJpbopB4gMd9v7OZsrAHlf9_Z59ubOZJTkVNay5VwwBmsixXyfrdinc/s1600/IMG_1276.jpg" height="320" width="215" /></a></div>
Picture 26:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCBR40RfJKNeLrw8RHngQ5E_YNugRKoM6lEtJdxxfCcmmR7Q_wX5sDyE6I7wQ-m7cmi4sssH4k75MHovyt5eEWBkDiEuyLMS1AmYzF0Ypy8O7FvYLkk1TETHxXXaaRNjHz6G6X0PXE8xQ/s1600/IMG_1277.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCBR40RfJKNeLrw8RHngQ5E_YNugRKoM6lEtJdxxfCcmmR7Q_wX5sDyE6I7wQ-m7cmi4sssH4k75MHovyt5eEWBkDiEuyLMS1AmYzF0Ypy8O7FvYLkk1TETHxXXaaRNjHz6G6X0PXE8xQ/s1600/IMG_1277.jpg" height="223" width="320" /></a></div>
Picture 27:<br />
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Pictures 25, 26 and 27: <br />
These samples show the different ways to make tucks, pleats and gathers. All these samples are made of thin and shiny synthetic fabrics. I have made parallel folds, filled tucks with fancy yarn and pipe cleaner, high tucks with several lines of stitching, tucks pressed flat and than stitched by zigzag, tucks were sliced with a zigzag scissor, sliced tucks were fryed out, short length of tucks stitched straight and cross.<br />
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Picture 28:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibeBt9sjtJnbQ8MIQL0W-8FbzS9Dru32d79hYZxzr5du7o5-rAIuKh63rO6ZZ3GFqY8aQopBwrfsDj-dHdG6DMChOP0BrUzzZIFZlL-STFWKRiTf43NAu8o5mrdLrmoigYoEj497acQFs/s1600/IMG_1279.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibeBt9sjtJnbQ8MIQL0W-8FbzS9Dru32d79hYZxzr5du7o5-rAIuKh63rO6ZZ3GFqY8aQopBwrfsDj-dHdG6DMChOP0BrUzzZIFZlL-STFWKRiTf43NAu8o5mrdLrmoigYoEj497acQFs/s1600/IMG_1279.jpg" height="320" width="229" /></a></div>
Picture 29:<br />
Picture 28 and 29 show samples of combination tucks all done by machine. Chequer board, backward facing tucks were cut in strips and re-arranged.<br />
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Picture 30:<br />
Here are 4 samples of gathering techniques: long machine stitches<br />
zigzag stitches over elastic ribbon<br />
fancy machine stitch<br />
pulling wave threads<br />
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<br />
Picture 31: <br />
More gathering techniques:<br />
hand running stitches circulare<br />
a tuck filled with a yarn and than moved in together<br />
tiny pebbles were made by running stitches <br />
a little piece of hand made decorate gather stitches<br />
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Chapter 7:<br />
Picture 32:<br />
Tactile contrasts:<br />
A sampler of contrasting fabrics:<br />
Nr 1: different wide strips of thermolan -coiled up<br />
Nr 2: free style coiled up scrim strip<br />
Nr 3: velvet gathered to flowers<br />
Nr 4: silk pieces folded together and formed to a packet, hold together with a cross stitch<br />
Nr 5: a piece stramin folded to a flower <br />
Nr 6: a piece of synthetic fabric pushed together to form undulations<br />
Nr 7: the same as Nr 6 only made from cellophane paper<br />
Nr 8: bias strips cut and than rolled up- cut off in different length<br />
Nr 9: knotted strips of tricot<br />
Nr 10: woven strips held down with simple knot and cross stitches<br />
Nr 11: the same as Nr 6 and 7, the fabric is tulle<br />
Nr 12: filled bubbles -running stitches around<br />
Nr´13: a wide strip of jute- gathered in the middle<br />
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<br />
sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-47909258346665543162014-03-22T10:19:00.000-07:002014-03-22T10:19:05.028-07:00Module 5, chapter 1:<br />
Texture in landscape:<br />
I collected photos from landscapes and objects. I had no great choice to make landscape pictures, because this winter we had too much snow. I found some pictures in my photo stock. So the next pictures show my selection:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7cOJY2nvh3PwVlO0nP39V7ud5hhOIeCn84z9OzXaIyEaHVE802ZCF8OnJneGo9Xf5nl-L0A0EYyfiWZdmKv-MTEA6oxOysufhQEeLttRXuGnnTFzdcfh-OF6D4jihJQijA7DVyVOsNzQ/s1600/IMG_1239.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7cOJY2nvh3PwVlO0nP39V7ud5hhOIeCn84z9OzXaIyEaHVE802ZCF8OnJneGo9Xf5nl-L0A0EYyfiWZdmKv-MTEA6oxOysufhQEeLttRXuGnnTFzdcfh-OF6D4jihJQijA7DVyVOsNzQ/s1600/IMG_1239.jpg" height="320" width="242" /></a></div>
<br />
Picture 1:<br />
Snow-landscape in my garden. All contours are softened.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpNIoB5wp_njnXIODikgYRclhOeRtvruTSlMP3XGLE6YnSuW2YELsEhS4XM3QHOuW9mvOxoFsoRNZDwmvWENu0IuyJsxUT6tj2Tns6pZnEOxJcLgdl05NTq_fVCv0bpmYELKDXPwc5sEs/s1600/IMG_0003.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpNIoB5wp_njnXIODikgYRclhOeRtvruTSlMP3XGLE6YnSuW2YELsEhS4XM3QHOuW9mvOxoFsoRNZDwmvWENu0IuyJsxUT6tj2Tns6pZnEOxJcLgdl05NTq_fVCv0bpmYELKDXPwc5sEs/s1600/IMG_0003.jpg" height="213" width="320" /></a></div>
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Picture 2:<br />
A head of lettuce cut through.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgARviqVuCMyjMnavlkRqPhH-MZ8mpXHfVOx4GHumCSvwbJli4hD78uNWuw3icFyHH1Vn7iibgyD1pcua41B-2UvuK9OnzuvMZ-SzHaP2jE2bxz5zP0IRpnkvvKtrQk6LDoj3mWTf7tRLc/s1600/IMG_1241.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgARviqVuCMyjMnavlkRqPhH-MZ8mpXHfVOx4GHumCSvwbJli4hD78uNWuw3icFyHH1Vn7iibgyD1pcua41B-2UvuK9OnzuvMZ-SzHaP2jE2bxz5zP0IRpnkvvKtrQk6LDoj3mWTf7tRLc/s1600/IMG_1241.jpg" height="240" width="320" /></a></div>
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Picture 3:<br />
A close up of a fir cone.<br />
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Picture 4:<br />
A part of a root of a tropical tree.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy3Ne0FVB9cldhow-t1O5y0Is4yZUi5JLWk5CmLKsDfEnevQJigC_37IB97kTaz1rv8NavzzWUE8owj9dn5cMlqpv6mJDqmL3adoFJj1u2wS2S3RSx5b68VlYVeORphw7vpN-uKdd25Zc/s1600/IMG_1249.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy3Ne0FVB9cldhow-t1O5y0Is4yZUi5JLWk5CmLKsDfEnevQJigC_37IB97kTaz1rv8NavzzWUE8owj9dn5cMlqpv6mJDqmL3adoFJj1u2wS2S3RSx5b68VlYVeORphw7vpN-uKdd25Zc/s1600/IMG_1249.jpg" height="240" width="320" /></a></div>
Picture 5:<br />
A stack of wood in front of our house.<br />
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Picture 6:<br />
A rose in my garden (winter).<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp7ajre-UOndy4DS_ULOV_URQhy5fNjUIZ4A8UqkXR5ct3ZoC16DSffGKVP2M8HAB22J17ZNLZXT6HGfF0fo99zZS-U-ptNH7FOKF_zw8HKHYCkXQknwXnGLCvJsqd9OdvKZYqlksK6nY/s1600/Sissy+Sonnleitner+by+Markus+Mitterecker+(174).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp7ajre-UOndy4DS_ULOV_URQhy5fNjUIZ4A8UqkXR5ct3ZoC16DSffGKVP2M8HAB22J17ZNLZXT6HGfF0fo99zZS-U-ptNH7FOKF_zw8HKHYCkXQknwXnGLCvJsqd9OdvKZYqlksK6nY/s1600/Sissy+Sonnleitner+by+Markus+Mitterecker+(174).jpg" height="213" width="320" /></a></div>
Picture 7:<br />
A plant in snow.<br />
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Picture 8:<br />
A rock block.<br />
<br />
Chapter 2:<br />
<br />
<br />
<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS_N-3bAjRZgMjIu2oXSwc7fnDCKZ7e9CK_H_gFuh8DQkQG6jpdywQ2nOCxyf-GpfvPe0Rv7H5r-M5pz7xAFPkI3UQfugdLjZeCIeso0cEmsFa5m9y0uuTG5lAcuV_yqH280vJL7rq-z0/s1600/IMG_1254.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS_N-3bAjRZgMjIu2oXSwc7fnDCKZ7e9CK_H_gFuh8DQkQG6jpdywQ2nOCxyf-GpfvPe0Rv7H5r-M5pz7xAFPkI3UQfugdLjZeCIeso0cEmsFa5m9y0uuTG5lAcuV_yqH280vJL7rq-z0/s1600/IMG_1254.jpg" height="158" width="320" /></a></div>
<br />
Picture 9:<br />
Paper relief investigations:<br />
Different types of paper partly ripped into strips and partly folded in zigzag. I wrote the types of paper on the black cardboard.<br />
<br />
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<div class="separator" style="clear: both; text-align: center;">
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<br />
Picture 10:<br />
Paper test scrunched with different type of papers (11 kinds). Each paper has started as an A4 size and was scrunched down to fill the 1/9th section of an A4 sheet. At the bottom right I wrote the types of used papers.<br />
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<br />
Picture 11:<br />
Manipulated tissue paper. Scrunched, bows with a knot, twisted strips and caned strips in curves.<br />
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<div class="separator" style="clear: both; text-align: center;">
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<br />
Picture 12:<br />
Another sample of different kinds of manipulated tissue paper. There is also to see a combination of two processes on the same piece of paper.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpllGXl_uo_mHxJiLxcW8dYZgHZFONAZJ0HDHwjTDtUaIVhKG6X0ag1jDIAT94XV_9ouvKPbL5xEecFWeTOzHtxARopUfyX7LFNknkUawtFjyqqxE_MA49do6cOCtDPW4esj3mPGd9E4A/s1600/IMG_1259.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpllGXl_uo_mHxJiLxcW8dYZgHZFONAZJ0HDHwjTDtUaIVhKG6X0ag1jDIAT94XV_9ouvKPbL5xEecFWeTOzHtxARopUfyX7LFNknkUawtFjyqqxE_MA49do6cOCtDPW4esj3mPGd9E4A/s1600/IMG_1259.jpg" height="150" width="320" /></a></div>
Picture 13:<br />
4 samples of cattering manipulations from tissue paper.<br />
<br />
Chapter 3:<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
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Picture 14:<br />
Texture and relief in paper. Here are two samples of the photos from chapter 1 picture 7 (plant in snow) and on the right site picture 2 (head of lattuce). The plant was made from long strips of twisted paper towel knotted and glued down. The lattuce was created from small strips of copy paper folded into irregular zigzag and glued down on corrugated and covered with white tissue paper.<br />
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Picture 15:<br />
Snow landscape in my garden and a fir cone transformed into textures. Crunched paper balls were covered with a sheet of tissue paper.<br />
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Picture 16:<br />
A stack of wood transformed into paper texture with tracing paper.<br />
My rock block was made from black corrugated paper. Before ripping it was covered with white tissue paper. The stripps were than glued down.<br />
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Picture 17:<br />
The root of a tree was made from long strips of twisted kitchen towel.<br />
The texture of the tree was made of big and small paper strips. I have use copy paper, translucent paper and tissue paper.<br />
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Chapter 4:<br />
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Picture 18:<br />
Fabric investigations:<br />
13 different types of fabrics. I tried to burn the edges of each piece, also to fray the bias edge of the fabrics.<br />
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Picture 19:<br />
A closer look to the edges. I have used different fabrics to make exciting edges in different ways.<br />
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sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-9647459244054215672014-02-05T05:35:00.001-08:002014-02-05T05:35:35.534-08:00Chapter 12:<br />
Study of three artists:<br />
Cas Holmes:<br />
She is a very famous artist. She works with different materials. She uses objects, which were recycled by her. I met her at a workshop in Irsee. She gave a course for recycling paper. It was fantastic to see the results after one week workshop. Her collections are exhibited in famous galleries and she has published a lot of articles about her art.<br />
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Lois Walpole:<br />
She is also a very famous mixed media artist and she works also with waste materials. She is an artist making functional objects especially baskets in many kinds of forms and dispositions. <br />
The surfaces are very decorative and colorfull. On the following link: "LoisWalpole.com" you can have a look on her work.<br />
Her work has been discussed in many books and articles. <br />
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My artist is Tracy Bautista:<br />
I like her combination of fabric and paper using sketching, doodeling, painting, printing, spraying to create richful surfaces. In her book "Collage Unleased" she shows also different binding technics.<br />
All these three artists have a relationship to module 4. <br />
To beware the cfopyright of the artists I did not use pictures on my blog.<br />
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By searching for artists I found an interesting website about "Carving Books into Art Sculpture Techniques".<br />
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<span style="color: magenta;"><u><strong>Evaluation:</strong></u></span><br />
<br />
The completed embroidered assessment for module four is a booklet from origami envelopes-signatures- with cover based on the design of pictures 57 and 58.<br />
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How do I feel about the resulting conclusion?<br />
I am content with the result. It was not so easy, because the techniques paper making and binding books was a very new experience for me. <br />
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Is it fit for purpose- give reasons?<br />
I think it is o.K. because I hope I fullfilled the asked duties.<br />
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If I am asked to make it again, what changes would I make to the way I designed it and the way I made it?<br />
I used Procion for dying my fabrics. I am not content with the result of dying. It is too dark or washed-out. This problem I have not solved, I have no solution till now. The design increased during the work chapter by chapter. <br />
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The download of module was at the end of march 2013, I started with the work in October 2013, and now (025.02.2014) I have finished it.<br />
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The working time was 90 hours (without the time I needed for reading, preparing the fabrics, withdrawing the threads, making papers, to do the uploading on my blog and to make pictures. <br />
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<span style="color: #1e0fbe;"><span style="color: black;">To keep my work save I</span> </span><span style="color: black;">put all the stitchery works in tissue paper in a big paper box. </span><br />
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I observed the rules for health and safety carefully. I have always worn rubber gloves, masks and if it was possible or necessary I did the work outside the house in the fresh air.<br />
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<span style="color: #1e0fbe;"></span><br />sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-61242471990192960292014-02-02T07:45:00.001-08:002014-02-02T07:45:59.647-08:00Chapter 10, book, structures<br />
Constructing books is new foreign profession for me. Last summer I did some book binding with friends. It shows that it is a big help for me now.<br />
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Picture 59:<br />
This is a foto, which shows all my hand made different books.<br />
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Picture 60:<br />
My first book is a simple book binding. The bags are kept together with a simple seam. It is made from bread bags. <br />
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Picture 61:<br />
This is a folded accordeon. Between two folds is one page added. The edges are stitched with different kind of embroidery.<br />
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Picture 62 and 63:<br />
This is a folded accordeon with pocketts and it has an open spin and can be closed with a cord. The front and the back site are made from cranched parcel paper. Painted with deluded procion. The folds are stitched even so the edges from the pocket with straight stitches.<br />
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Picture 64 and 65:<br />
It is a flag book. The cover was made from egg boxes painted with green spray. Stemped with the letters "A" for the front and a "Z" for the back. The flags are made from transparent paper and are stemped with the "ABC..." and so on.<br />
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Picture 66:<br />
This is a folded one sheet book. The folds are stitched with zigzag stitches to get pockets.<br />
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Picture 67:<br />
This picture is a a folded tea bag book. <br />
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After all these different examples I have decided something to do for my special book structure related to media, which is characterized by zigzag, to and fro. <br />
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Picture 68, 69, 70 and 71:<br />
These are the beginning for the origami envelopes. I have taken non-woven wallcoverings. This paper is crumpled. Then I ironed the paper with iron transfer paints. Therefore I painted several copy paper with these paints. <br />
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I cut this paper to the desired measure and folded it in envelopes and stitched it with seed stitches by hand. <br />
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Pictures 72:<br />
The paper to make my pulp for the cover sheet and my tool for rubbing with oil paint sticks. After rubbing I wash it with deluded paint. This proceedure I repeated several times very carefully, until I was content with the result.<br />
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Picture 73:<br />
This is the result folded in the correct size and ready for stitching related to my previous examples.<br />
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Picture 74:<br />
If I consider, than I draw the stitches on a sheet of transparent paper and place this on my work. So I get an impression how it could be.<br />
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Picture 75:</div>
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Work in process.</div>
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Picture 76, 77, 78 and 79:</div>
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These fotos show my result of module four. </div>
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sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com2tag:blogger.com,1999:blog-5968450252219781386.post-33282034494834465612014-02-02T05:31:00.001-08:002014-02-05T05:44:01.600-08:00<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dzkqdHaQ6T7LplEQbtQmgL2pElXjUVGBLF7YQCFfcDmc5DQzxjp6x3RMdv8wwv5MjAnH6FCiQlAAbk7vwxKqw' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div>
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This is my video for more presentation and also for the authenticity of my work.<br />
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Picture 80:<br />
This is the presentations picture for completing my assesment piece. The most yarns are from Anne Lange and some from Steff Francis. You can see all the things for the portfolio book construction. The cover was made from waste paper bags. It makes a very soft and fine paper. The relief was done by rubbing tool, oil paint sticks, colorwash, iron and this act was repeated several times. <br />
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sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com1tag:blogger.com,1999:blog-5968450252219781386.post-86512709437534494582014-01-31T04:17:00.001-08:002014-01-31T04:17:52.162-08:00Chapter 7:<br />
Picture 42:<br />
To apply paper pulp to a woven fabric grid<br />
Groups of threads have been withdrawn and than the pulp is applied not overall covered. <br />
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Picture 43:<br />
Gauze is distort with fingers to make the holes and the pulp was applied in different parts.<br />
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Picture 44:</div>
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A distort nylon fruit bag was lied down on a sheet handmade paper and partially covered with pulp.</div>
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Picture 45:</div>
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The yarn was wrapped on a wire frame. Fancy yarn was covered with a thin layer of pulp. </div>
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Picture 46 and 47:</div>
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These two pictures show the same sample from the front and from the back side. I used a nylon net fruit bag. The net was stretched in a wire frame. The back side has an interesting pattern in the pulp.</div>
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Picture 48:</div>
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Three samples: </div>
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The withdrawn fabrics were lied dawn on a sheet of hand made paper. The pulp was positioned on the edges.</div>
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Picture 49:<br />
This method embeds a withdrawn fabric onto the surface of a piece of paper. The pulp was positioned only on the top and on the bottom. Afterwords it was stitched with cords made from withdrawn threads.<br />
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Chapter 8:<br />
In this chapter I used embedded grids from chapter 7. Each sample is attached on a background from a fabric or handmade paper. My stitchery is deviated from previous samples. (beginning of module 4)<br />
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Picture 50: <br />
This sample shows the letter ypsilon in different sizes using thin and thick yarn. The same procedure was done with the word "shape" in picture 9.<br />
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Picture 51:<br />
This sample is hand and machine stitched. The stitch is derived from picture 52.<br />
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Picture 53: <br />
In this sample I was inspirated from the zigzag pattern as seen in picture 13.<br />
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Picture 54:<br />
In this sample I tried to spill the word "shape" on to a grid with paper pulp. After drying I stitched with hand and machine.<br />
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Picture 55 and 56 (detail): <br />
In this sample I was inspired by picture 52. The most stitching part was done by machine (freehand) and a little bit running stitch by hand.<br />
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Chapter 9:<br />
Stitched edges<br />
Picture 57 and 58:<br />
These two fotos show samples from different possibilities to make stitched edges.<br />
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sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-61382764320933861492013-12-31T07:43:00.000-08:002013-12-31T07:43:47.291-08:00Chapter 5<br />
Picture 26<br />
I have chosen for a color combination of red and green. I dyed the most fabrics with Protion and only a few fabrics with Dye-Na-Flow.<br />
The colors I used are similar to the colors of the stemps. Perhaps I will use a little bit of black and golden colors seen in the stemps.<br />
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First exercise: </div>
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Pictures 27, 28 and 29</div>
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The following four examples show different patterns formed by withdrawing threads.</div>
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Second exercise:</div>
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Picture 30</div>
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Weave threads were pulled sideways to the left and right edges. Caused by this pulling the central dark area was dissolved in horizontal lines.</div>
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In the lower part of this fabric the weavethreads were pulled inwards to the center. The threads make loops.</div>
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Picture 31</div>
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In this exercise groups of threads withdrawn from one end and then re- threaded and stitched back into the fabric in different directions.</div>
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Picture 32</div>
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Groups of withdrawn threads are re-woven in different directions and ways. After re-waving I did a little bit handstitching with withdrawn threads. </div>
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Chapter 6</div>
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Picture 33 (sampler)</div>
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Stitchery ideas to decorate the drawn fabric</div>
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Different rows of stitching, waving, wrapping, threads drawn together</div>
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Picture 34</div>
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A sampler of diagonal stitching on the bars and diagonal stitching on the cross overs. In this sampler I used machine and hand stitching. The withdrawn threads are manipulated around the edges.</div>
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Picture 35</div>
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Machine zig-zag stitching. The zig-zag stitching is only vertical. Hand stitching is done in both directions. I have used withdrawn threads from other exercises and yarns.</div>
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Picture 36 and 37</div>
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Tucks:</div>
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The threads are withdrawn in one direction and folded to tucks and sewed down by zig-zag (machine).</div>
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The next exercise is done in both directions.</div>
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Picture 38</div>
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In this exercise I pulled nearly all threads out. They are sewed together by machine satin stitches in stepped blocks. So I produced holes.</div>
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Picture 39</div>
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In this exercise the threads were snipped in the center and withdrawn from the center outwards. The start and the end of the diagonal line are done in zig-zag machine stitches and they held down the bundles of withdrawn threads.</div>
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Picture 40</div>
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Combine hand and machine stitching</div>
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For this exercise I decided for a jute because the withdrawing of threads makes me very nervous and rises my bloodpressure. This sampler has areas with withdrawn threads and areas were threads were pulled together. In both areas I used hand and machine stitching. I have made cords for waving through the bars.</div>
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Picture 41</div>
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Withdrawn threads from the center outwards in both directions to make different wide holes. Machine zig-zag over the bars in continous lines. Afterwards I made needle waving by hand over the machine stitched bars. I used different yarns and stripes of sari silk. Around the stitched area the withdrawn bundle threads were sthed down in different ways.</div>
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sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com1tag:blogger.com,1999:blog-5968450252219781386.post-83727059136643134942013-11-14T04:29:00.000-08:002013-11-14T04:29:09.779-08:00Module 4, chapter 4<br />
Papermaking: <br />
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Picture 16, 17, 18 and 19:<br />
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Nr. 16: Shows ripped egg cartons. From each color I made a paper pulp. For the first paper I mixed the four colors .<br />
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Nr. 17: Paper made from brown shopping bags and white writing paper and envelopes.</div>
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Nr. 18: Snipped paper from blue, brown shopping bags. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUM1LFcogaR_vFNzo_rDWZ3Hu7rTeYieoYyic2M2xyK1O8n06OkV7swC0xSQfO1VTkx_cB4bH6_jn1hExIVcV6DY9WW6hTM7UCjV9x1Df3u5X16P2HMIYNsK4u5ijTAlN0wbg7ueuolPM/s1600/IMG_1073+(2).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="302" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUM1LFcogaR_vFNzo_rDWZ3Hu7rTeYieoYyic2M2xyK1O8n06OkV7swC0xSQfO1VTkx_cB4bH6_jn1hExIVcV6DY9WW6hTM7UCjV9x1Df3u5X16P2HMIYNsK4u5ijTAlN0wbg7ueuolPM/s320/IMG_1073+(2).jpg" width="320" /></a></div>
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Nr. 19: the left paper was made with different pulps. The middle was made from the white envelopes. This paper is very soft. The right paper was made from egg carton.</div>
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Picture 20: <br />
The left paper shows letters made of used copy paper embedded in white paper pulp. The middle was made of brown egg cartons and embedded with stemps. The right side was made from paper pulp as shown in picture 18, embedded with snipped threads. <br />
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Picture 21: <br />
Paper pulp with embedded plants and leaves. <br />
Beneath letters were embossed.<br />
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Picture 22: <br />
The white paper was embossed with turquoise fancy yarn and after a short time drying the yarn was removed und I put it on a wet, dark paper.<br />
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Picture 23 and 24:<br />
I have made a piece of paper with a hole in the paper, which Shows the shape of the letter "A" in positive and negative manner. <br />
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Picture 25:<br />
Left was made of layers of colors. The middle was made by adding acrylic red paint in increasing concentration of color. The right side was produced by two different colored pulps. <br />
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sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-58308320269957183112013-11-14T01:32:00.000-08:002013-11-14T01:32:22.759-08:00Module 4, chapter 2<br />
Making pattern with lettering, using the computer.<br />
Blocks of repeating patterns. I have choosen again the word "shape" and manipulated this word by using photoshop elements. I wrote this word with the computer, not freehanded.<br />
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Picture 12: This picture shows four different ways of distorsion. The first shows a block with diluted letters. The second block is written in blurred way. The third block is written in a little dissolved method and the fourth is written in hatching patterns on a black background. <br />
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Picture 13: View from top to bottom:<br />
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The letters are:<br />
blurred<br />
diagonal deformed<br />
mosaic- on the right side in block<br />
builded in blocks- left: the letters drawn out <br />
waves in block<br />
single wave<br />
the two right blocks show:<br />
shades<br />
doodling<br />
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Picture 14: <br />
The word "shape" is drawn with polar coordinates.<br />
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Chapter 3: grids<br />
This is a collection of my fabrics, which have different grids .Materials: cotton, plastic, metall mesh,<br />
scrim, canvas, linen.<br />
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sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-68529644102127593232013-11-10T07:49:00.002-08:002013-11-10T07:50:14.077-08:00Module 4, chapter 1: <br />
After a long time I jumped into module 4. The first task is a lettering research and therefor I took my box with envelopes from received letters und made a collage of these. I have paid special attention on diversity.<br />
Picture 1: <br />
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Picture 2 is a selection of lebels.<br />
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Chapter 2: Lettering design:<br />
Picture 3 shows different designs of lettering.<br />
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Picture 4 shows tools for the following exercises. <br />
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Picture 5: I choose the simple word "shape" for the next exercises. <br />
On the foto I described what technique I have used.<br />
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Picture 6 is also an exercise with different tools. <br />
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Picture 7 shows different possibilities for designing lettering- for example masking tape, placed on a relief surface under the paper, oil paint sticks.<br />
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Picture 8 shows all exercises on a black background. On the left upper side the paper was painted with black ink. The word "shape" was written with bleach with three different brush pencils. Beneath I used a black card and I wrote the word with deluded white acrylic paint with my finger. On the upper right side the paper was painted with black ink. After drying I wrote the word with a thick brush pencil with bleach and than I wrote with a thin brush with white paint. At least the excess was dropped down. The last two exercises were done by hot glue. The background was painted with black acryl and black ink. For the rub on I used golden and blue color. <br />
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Blocks of writing:<br />
Picture 9: There are four blocks . The left upper block: The first layer was written with a pencil and gray deluded acrylic paint. Between these words (second layer) I wrote with a black felt pen the word "shape"- 3 rows-. At least the third layer was written with a Pipette with black ink. <br />
In the right upper block I used four different felt pens.<br />
The left under block I wrote zig-zag with a brush pencil. The four interspaces are filled up with a fine liner. At least I printed with big letters "SHAPE".<br />
The right under block: The word "shape" was written in waves. In the next step I printed by two different stemps the word "shape".<br />
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Picture 10: The left upper block shows the word "shape" long drawn- out.<br />
The block aside: A blue zig-zag with the word "shape". The interspaces are filled with the word "shape" written forwards and backwards.<br />
The left under block: The first layer was done with tooth picks - black ink. The second layer is written with rows of fine liner. The third layer with black felt pen. The fourth layer was made with golden felt pens- one fine and one thick.<br />
The right block above: I wrote for the first layer rows of the word "shape". I did the same on a sheet of transparent paper. The transparent paper I turned 90 degrees around and glued this on the first layer.<br />
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Picture 11: The first block: The first layer was written by white oil sticks. For the second layer the whole paper was painted with black ink. The third layer was done with a golden Edding pen. <br />
The second block: The first layer was written with masking fluid. For the second layer the whole paper was painted with black ink. The masking fluid was removed. Than the block was roughly painted. <br />
The third block: The first layer:The whole paper was painted with black ink. The second layer: The word "shape" was written with bleach. For the third layer I used the hot glue for writing. The last layer consists of treasure gold.<br />
The last block is an collage of left overs.<br />
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Picture 12: The word "shape" is done by rub in different directions.<br />
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<br />sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-62792221044655002712013-03-06T09:31:00.000-08:002013-03-06T09:31:12.326-08:00Module 3, chapter 12, research three artists<br />
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Zandra Rhodes:<br />
She is a very famous designer. She makes most extravagant garments. and she composes also equipments for theatres. She works together with other artists for film productions. <br />
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She loves bright colours. Her latest is a digital study collection project.<br />
The next picture shows one of this collection. It is a part of a dress (shoulder), very spiraling design.<br />
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Artist two is Deirdre Hawken: She is especially an artist for extravagant hats as well for equipment for balletts, operas. She uses very different materials. In her work a strong movement. I have selected a picture of three little spiraling hats. Famous is her lobster hat.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixTPm96ImSZvFInL_PVviaIItetWViYhYkofPdeInrqROYvTLO_w8c4VhhdQRlIlnLKXfuvmjp4Vo_6RFEC5VcjCxcLZOkyE1XGphSeF8rOan91heAjeosVIlTi3s1OOV_XAKqMQjjOGg/s1600/Module+3,2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixTPm96ImSZvFInL_PVviaIItetWViYhYkofPdeInrqROYvTLO_w8c4VhhdQRlIlnLKXfuvmjp4Vo_6RFEC5VcjCxcLZOkyE1XGphSeF8rOan91heAjeosVIlTi3s1OOV_XAKqMQjjOGg/s1600/Module+3,2.jpg" /></a></div>
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The third artist is Harald Glööckler. He is namedc " the prince of pompös". He is a very extremely fashion designer. He is born in germany. He loves so as the two preview artists extraordinary equipments for fashion jewellery, and opera. All his projects are luxury products. All these three artists represent in my mind extremely positions. <br />
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Evaluation module 3:<br />
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I am very happy with the result. The combination blue and golden yellow is for this luxury fingerless gloves very wearable.<br />
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This pair of gloves can I use for special events.<br />
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If I am asked to make it again, I am sure to do it in different way because it depents on my mood. <br />
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The cost of materials and recording time.<br />
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Authenticity of my work:<br />
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sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-86526978409349523772013-03-06T06:04:00.002-08:002013-03-06T08:27:23.994-08:00<div class="separator" style="clear: both; text-align: center;">
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Module 3, chapter 10 and 11 picture 33<br />
This chapter I have to make a designing an accessory based on the spiraling design using ideas from the beginning of this module. This is mine designboard of drawings. I have considered what I can do for this accessoir. I have decided for a pair of fingerless gloves. The picture shows 4 different ideas for these gloves. The drawings show different manners of design. There are some little free aereas. These aereas are for spontanous stitchery. I love a little bit space for spontanous working. The main lines are predetermined.<br />
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From all these designdrawings I developed the next concept for fingerless gloves. Picture 34</div>
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The next pictures show the designboard of materials and stitchvariations. I have used wool loden. The frayed edge which arises in the production is the upperside of the gloves. I love this part of the fabric, so I used them. Picture 35a and 35b</div>
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The next picture shows a bonded fabric. The first layer is a golden fabric, this layer was bonded with a layer of cunin felt. This created fabric was processed with a hot tool. </div>
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(Of course I considered the safety rules in this module by using hot tools, dyes and bleach. If possible I make these works outside, weare gloves and a face mask.) This fabric I will use for an interesting spiraling and a circle shape. I also used different feet for machinestitchery and special bobbin for thick threads. Picture 36 and 37</div>
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The following two pictures show the different stage of working on my fingerless gloves. Picture 38 and 39<br />
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On picture 39 on the right side you can see the fabric pinned together to form a tube, ready for sewing and stitching.<br />
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Picture 40 shows my lining fabric. It is a black cotton jersey. Picture 40<br />
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Picture 41 shows the fingerless gloves with lining. <br />
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Picture 42, 43, 44 and 45. These four picture show my pair fingerless gloves in different positions.. These gloves are made for the evening and special events. <br />
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<br />sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-14309391397639336262012-12-11T07:48:00.000-08:002012-12-11T07:48:03.568-08:00Module 3, chapter 5, picture 20, 21 and 22<br />
Here is a collection of twisted, knotted, plaited, wrapped and stitched cords. I have used fancy yarns, thorn stripps of fabrics, chenille, wool, silk yarns, organza stripps and raffia, gift ribbons, painted tywek-stripps.<br />
Even so I made cords with three krocket- cords, which I put together with my enbellisher. At last you can see my knotted, plaited and wrapped cords on picture 23 using the following knots:<br />
-barrel knots, doubble buttonhole knots, macrame knots, ordinary knots, repeat half knots, weaving with 4 cord and one threaded beads, yellow turks head knot.<br />
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Module 3, chapter 6, picture 23<br />
This picture shows different tassels. I have used different materials, hand- as well as machine made tassels. The materials are the same a used in the chapter 5.<br />
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Module 3, chapter 7<br />
In this chapture I have made buttons. <br />
Picture 24 shows the wrapped shapes used big and small shapes from cardboard.<br />
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Picture 25 shows dorset buttons. I have used thorned stripps, fancy yarns, beads and stitching yarns.<br />
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Picture 26 shows toggles, beads made from metable materials- viscose felt, nylon fabrics and tyvek. The wrapped layers are painted and zapped with hot gun. I have also used a hot soldering iron to make patterns on the toggles.<br />
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Module 3, chapter 8, picture 27<br />
In this chapter I have to make a bead-sampler. This sampler I want to use as a cover for a book or a box. The background fabric is kunin felt. With the embellisher I stitched down different blue silk material. I have done this in my coulor scheme. I used different methods of application to sew the beads and the sequins. Also two bundles of beaded fringes are stitched. The three sequences on the right side are under a transparent sheet of organza. Spaces between are stitched by hand.<br />
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Module 3, chapter 9, picture 28, 29, 30, 31 and 32<br />
The first picture is my starting point for the design development of this movement..This picture I have painted with acrylic paint at the beginning of this module.<br />
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I cut this picture in sections and turned the pieces in the same way as in module two. You can see the pencil-lines before cutting. <br />
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These pictures show more ideas of spiralic designs. All these ideas are done with paper.<br />
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The next picture is a design which I have layed with selfmade cords and buttons. background is an overdyed silk.<br />
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The next four pictures show the stepps to the resolved sampler.<br />
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Layer 1: My overdyes silk <br />
Layer 2: Done with watersoluble, snipped fragments of blue organza. This layer was than embellished on my first layer and sewed down with free machine motion.<br />
Layer 3: Consists of machine-stitched organza cords. The hole piece was than stitched by hand and I added toggles. <br />
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sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-88786556671929696162012-11-06T09:42:00.000-08:002012-11-06T09:42:07.309-08:00Chapter 3<br />
Picture 14: You can see my different fabrics and yarns in several polythene bags with procion dye.<br />
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Picture 15: These are my results of dying. randomdying, dipdying. scrunched dying. I have left my fabrics in dying bath. for several days to get an intensive colour.<br />
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Picture 16 shows fabrics and yarns after dying I did monoprinting. You can see the result on the right site of the picture</div>
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Picture 17 is also a monoprinting and irontransfere.</div>
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Chapter 4<br />
Picture 18 shows many yarns for machine and hand stitching.<br />
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Picture 19: I made a sampler with hand and machine stitching. I have use many different yarns. I made spirale shapes with large, tiny stitches, overlapping spirales to get a network. <br />
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sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-78258837812899727752012-11-05T05:41:00.000-08:002012-11-05T05:41:17.674-08:00Module 3<br />
I started in the middle of august. In september I had an interruption for several weeks, because our house needed a renovation. Now I started again. <br />
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Chapter1, picture 1,2 and 3<br />
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I collected many spirals; naturales and man-made structures. You can also see my drawings of spral shapes between the photographs.<br />
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Picture 4<br />
Much more drawings of spirals and a few rubbings.<br />
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Chapter 2<br />
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The colour-scheme, which I choose is blue and yellow/ golden.<br />
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In the following picture 5 you can see a collage from different selfmade papers.I have used different technics to get interresting survaces; evenso I have mixed the colours to get different hues, tints and shades.<br />
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Simple two dimensional shapes from my papers. picture 6 and 7<br />
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Picture 8 and 9 show examples of three dimensional shapes from corrugated card.<br />
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Picture 10 is a collage from many monoprinting papers. I have use acrylic paints.<br />
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Picture 11 shows my paints and colours for the painting my papers and fabrics.<br />
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Spiraldrawing using a computer programme. To work with a computer paint programme is not my favorite. I am not very familiar with the computer., picture 12 is a black and white ecercise and 13 show two examples in colours.<br />
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sticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0tag:blogger.com,1999:blog-5968450252219781386.post-80801867340713721232012-06-08T03:31:00.001-07:002012-06-08T03:32:04.794-07:00<div class="separator" style="clear: both; text-align: center;">
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Authenticate of my worksticktantehttp://www.blogger.com/profile/11001762331319220448noreply@blogger.com0